Since the debut of Garry Thomas Morse’s first collection deemed “experimental fiction,” Death in Vancouver has drawn fervid enthusiasm from many West Coast writers and artists. Set in Vancouver, B.C., this gathering of stories superimposes aspects of literary classics on local urban space to express increasing dissonance and alienation in the groaning “necropolis” that is the contemporary global city.
“One Helen” is a woman subject to poetic idealization who reveals her.
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