During the early years of the sixteenth century, the reproduction of music of all kinds began to move from the copyist's desk to the printer's workshop. As Francis Bacon, viewing the development from the safe distance of the early seventeenth century, memorably observed in a more general context, the arrival of the printed book had altered 'the appearance and state of the whole world.'
By the middle of the sixteenth century, not only music itself, but associated treatises, text books, instruction manuals, and tutors were being produced in their thousands to.
Iain Fenlon ebooks downloads
Music, Print and Culture in Early Sixteenth-Century Italy (Panizzi Lectures) pdf
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